Rough writing

It's always nice to get mentioned in the press, even if that mention is a brief one. Which is why I'm happy to report that my short play, The Real Meaning of Things, got a shout-out in this month's issue of American Theatre magazine, the Bible of the American theatre community.

The article covers the Rough Writers New Play Festival at the Colorado Springs Fine Arts Center, and focuses on Jade O'Keeffe, a Toronto-based playwright whose full-length play Two Nine One Letters is one of the centerpieces of the festival. O'Keeffe based her play on the extensive series of letters between Georgia O'Keeffe and her lover-turned-husband, photographer Alfred Stieglitz. And yes, in case you're wondering, Jade is a relative of the artist, though a distant one.

My play was not nearly as well-researched, inspired as it was by a single sentence in Georgia O'Keeffe's Wikipedia entry. But it was a really good sentence.

I attended the first reading of my play last weekend, and the FAC did a fantastic job with it. They cast two of my favorite local actors: Mike Miller as a hard-bitten rancher and Amy Brooks as a humorously prickly Georgia O'Keeffe, and their performances precisely captured the awkwardness I was going for.

If you're in the area, I encourage you to stop in this Saturday at 8pm for the final reading of this and three other plays by local playwrights.

Hometown hit

I was both honored and thrilled to learn that my newest 10-minute play The Real Meaning of Things was selected for the Colorado Springs Fine Arts Center's Rough Writers New Play Festival. As such, it'll get two staged readings along with the other seven winners.

This hit is especially meaningful to me, not just because the play is one of my few dramas, not just because the play is my first one based on real people. No, the hit is especially meaningful because the FAC has played such a big part in the life of myself and my family.

Over the years, I've been to dozens of performances there. It was the place where I first introduced my daughters to the joys of theatre (Annie and Brigadoon were big hits with them). Even more importantly, it was where my younger daughter often appeared on stage, twice as part of the theatre company's excellent Youth Rep summer camp, and twice in their mainstage productions (The Music Man and Gypsy). So being selected for this reading feels a lot like coming home.

In tandem with the FAC's upcoming Georgia O'Keeffe exhibit, the theme of this year's Rough Writers festival was the life and works of that quintessentially American artist. For my play, I decided to focus on O'Keeffe's time in New Mexico. As I explain in my blurb for the festival:

Through my research, I was fascinated to discover that Georgia O'Keeffe had learned to drive at the age of 41, mostly she could explore the New Mexico desert by herself. According to reports she was a fearless driver, though not a great one. That instantly sparked an image in my mind and I wondered what would have happened if her car had broken down.

If you'd like to attend the reading, it'll be held at 7:30 PM on the first two Saturdays of June in the FAC's upstairs music room. I'm excited to be sharing the stage with three other local writers--Sue Bachmann, Jess Weaver and Grant Swenson--all of whom happen to be members of my playwriting group.

Seriously, if you're a playwright and you haven't joined a playwriting group yet, you need to.

Everything in its season

Besides my regular theatre reviews for the Colorado Springs Independent, I also write the occasional blog post for them. These usually cover small but interesting news items in the local theatre community.

I especially enjoy commenting on season announcements. This helps build excitement for the coming season and allows me to give my take on the theatrical offerings.

Without further ado then, here's the start of my post on the Colorado Springs Fine Arts Center's 2013-2014 season:

I would guess that most of the 30-plus people who gathered in the Colorado Springs Fine Arts Center's SaGaJi Theater on Wednesday wondered at first who that stranger was greeting us from the stage. It was none other than Producing Artistic Director Scott RC Levy himself, almost unrecognizable without his trademark goatee. Turns out he shaved it off for his official local acting debut as Man in Chair in the upcoming production of The Drowsy Chaperone. Oh, the sacrifices we make for the theater.

To continue reading, click here.