A look back at 2022

Another year come and gone. Normally, about here, I would start to wax poetic, but this year I don't have time. I'm too busy writing.

Really. This was the year I decided to refocus my writing efforts on plays after a two-year hiatus during which I was lured away by the siren song of Hollywood and New York, writing screenplays and novels that got me both a manager an agent but zero traction in either of this fabled cities.

But those two years weren't a total bust. I learned that I love writing plays. And I love everything that goes along with that. The production photos. The newspaper reviews. The emails from directors asking for advice. And, last but far from least, the generous royalty checks.

And so I spent the entire year writing plays, plays, and only plays. But was it a success? Well, let's take a look against the goals I set for myself at the beginning of the year.

1) Complete three new full-length plays

Success. I completed exactly new full-length plays:

• My coffee shop/magic potion comedy, Whole Latte Love.
• My roadside diner romantic comedy, It Happened on Route 66.
• My Enchanted Bookshop prequel, How the Enchanted Bookshop Began. 

In between these plays, I wasted maybe a total of three months on plays that never went anywhere. But that's par for the course.

Actually, "waste" may be strong a word. No time writing is ever truly wasted. If nothing else, it's good practice. And besides, I may come back to these plays later and figure how to make them work. It took me years to get Million Dollar Meatballs and Trouble in Paradise Junction right.

2) Publish four full-length plays

Success. At the time I set this goal, it was very ambitious. The most plays I'd ever published in one year was three, which I achieved in both 2015 and 2017. So I wasn't quite sure I could get there.

But I did, publishing not just four but five new plays. Of course, it helped that one of the plays--The Last Radio Show--had been accepted by Heuer Publishing over a year ago and was way overdue. It also helped that my regular publisher, Pioneer Drama Service, proposed that I make a smaller cast adaptation of my play It's a Madhouse! shortly after it was published, allowing me to crank another whole play in just a few weeks that was guaranteed publication.

That one was called--wait for it--Madhouse!, a shorter, punchier title that matches the shorter, punchier feel of the play.

The other two plays? That would include the aforementioned Whole Lotta Love and It Happened on Route 66.

The best part is that all three plays are off to a super strong start, and I expect them to maintain a Million Dollar Meatballs level of success over the next few years.

3) Lead a workshop at the Arizona Thespian Conference

Failure. Sadly, this didn't happen and I don't know why. I applied to be a workshop presenter through the official website and I heard nothing back. Not a word. No a squeak. Not a peep.

I'd still love to present my popular workshop on the three-act structure in Star Wars and Legally Blonde, which was a big hit at the Colorado Thespian Festival, but at this point I'm at a loss as to how to proceed.

4) See more plays

Failure. Can you believe this didn't happen either? I never heard back from the ariZoni Awards committee, with whom I'd applied to be a judge with. I'm starting to think the Arizona theater scene it very cliquey and closed to newcomers, which is crazy considering that the vast majority of people here came from out of state.

But I'm not going to cry into my pillow--or anyone else's. Not going to plays has left me more time to keep up with the cast amount of new stuff getting pumped out by the streamers every month. And I watched some great ones. Life and Beth. The Crown. Dead to Me (my favorite of the bunch--wasn't that finale amazing?). And yes, despite an initial resistance, I too have fallen completely under the sway of The White Lotus (how can you go wrong with a bunch of Richie Riches vacationing in Il Bel Paese, especially when there are dead bodies involved?).

Anyway, I've found that watching these shows has inspired my writing even more than plays used to. I only have one problem.

What am I going to watch now?

5) Be more present

Half success. This hasn't been an easy one, but I can honestly say I've made significant strides in this area. I take the time to enjoy my meals rather than rushing through them. When I walk the dogs with my wife Tammy, I make the effort to look around and really appreciate the sights and sounds of our suburban neighborhood.

My stress level at work and home has improved as well. When I feel those old tense feelings well up inside me, I pause, take a deep breath (or ten), and remind myself that, as they say, this too shall pass.

I give the credit to my daily meditation practice through Insight Timer. And that was just with meditating five minutes a day.

I've since bumped up my average to ten minutes a day and have started focusing more on sound baths rather than guided breathing exercises for that extra boost of calmness and stability.

Even if this next year isn't the most productive in terms of writing or publishing plays, it's guaranteed to my calmest.

And that's a very good thing.

It Happened on Route 66 is now available!

Just under the gun (for the year, that is), Pioneer Drama Service has released my 21st play with them, a full-length romantic comedy titled It Happened on Route 66. That makes five new plays for me this year, blowing past my previous record of three.

Of course, it helped that one of the five plays was held over since last year (having been accepted for publication in September 2021) and another one was a small-cast adaptation of different play that was also published this year, allowing it to be released with just minimal tweaks. But still, a play is a play. I'll take the win.

Here's the funny thing about It Happened on Route 66. I honestly believe it's the first play ever set along the Main Street of America, the Mother Road.

That's crazy, right? Route 66 is an American institution, a symbol of freedom and the open road, made famous on TV and in song.

But I checked the catalogs of Samuel French, Playscripts, Dramatists Play Service, Dramatics Publishing, and Eldridge Plays and not a single one of them had a play that mentioned Route 66 in its blurb (other publishers not listed here don't allow a search on keyword, just the title and author's name, so it's hard to check).

Let me back up. So it turns out that Dramatists Play Service publishes the official stage play adaptation of John Steinbeck's great novel The Grapes of Wrath. And while a significant part of it takes place on Route 66, that's not what the story is primarily about.

So let's call my play the first original play set on Route 66. Or the first comedy. Or the first play that really tries to capture the sweet nostalgia wrapped up in that famous ribbon of asphalt.

Pioneer's web site provides a free script sample for you to peruse. So just for fun, let me leave you then with a different scene from my play. This one comes from early in the second act. Glamorous movie star Lovey Lamour's car has broken down outside a diner in Winona, Arizona is desperate to get it fixed, only she has trouble finding competent help in the tiny town:

LOVEY: Oh, Babs! Please tell me you're done with my car!

BABS: Not quite. But I did find the source of your squeak.

LOVEY: What squeak? My car wasn't squeaking before.

BABS: It wasn't?

LOVEY: No, it wasn't!

BABS: Well, that would have been good to know before I took it all apart.

LOVEY: You took my car apart?

BABS: I had to. How else was I going to find the mouse?

LOVEY: Wait a minute. Are you telling me the squeak came from a mouse?

BABS: Yep. The little rascal thought he could get away from me, but I found him hiding in the tailpipe.

LOVEY: Have you considered an exterminator?

BABS: Oh, no. I tried one of those once. That's how I lost my Fluffy.

LOVEY: I'm sorry. Was Fluffy your cat?

BABS: No, she was more like a cockroach.

Want to read more? You can order the full script or book your production on the play's web page. But don't wait take too long. The play is so brand new it hasn't even been produced yet. Act now and your school or theater could be the first!

Arkansas Bookshop Christmas shows its colors

Arkansas's Siloam Springs Center for the Arts came up with a clever promotion for this weekend's production of An Enchanted Bookshop Christmas. They held a coloring contest. The winner gets two free tickets to the show, a free book from the local library, and wwill see their masterpiece featured on the cover of the show's program.

What a great way to build excitement for the show!

The winning entry is shown above. A big congratulations to Zeni, the talented artist who won the contest. I hope you enjoy the show (and the book)?

Washington Bookshop Christmas is the cat's meow

Photo by Sebastian Moraga / The Quincy Valley Post-Register

I know, I know. People don't really say that anymore. It's a relic from the Roaring Twenties, an era of flappers and gangsters and bathtub gin. But in this case, it's really true.

More on that later.

An Enchanted Bookshop Christmas is playing at fourteen schools and community theaters this holiday season. That's a little short of the eighteen production it got last year, its best season to date, but still good enough to keep it at #1 on the list of full-length Christmas plays in Pioneer Drama Service's catalog.

For a long time, I resisted the temptation to write a Christmas play. A lot of playwrights have them, and I love a good Christmas story as much as anyone (especially this Christmas story). But I only have a limited amount of time to write each day and I thought why spend that time writing something that will only be produced four weeks out of the year?

But as I thought about a follow-up to The Enchanted Bookshop (it would have to be a prequel, not a sequel, because we all know how The Enchanted Bookshop ends), I was taken by the idea of all the new characters I could introduce to that world.

Characters like the Ebenezer Scrooge and the Nutcracker Prince. The Velveteen Rabbit and the Little Match Girl. Even the bratty, self-absorbed, but always very real Amy March. Not all of these are strictly associated with Christmas, of course, but all of their works feature at least one key scene on that biggest of holidays. I couldn't wait to plop them down into A Likely Story and watch them interact.

It always feels that way, by the way. Watching. I never make my characters do anything. They have their own desires, their own agendas, and the freedom to forge their own paths. I just watch and write it all down.

All I needed now was a plot. It wasn't easy making all the pieces fit. There had to be a special gift. And it had to get lost. And old Ebenezer had to be the bad guy. But not too bad, of course, because this is a family-friendly play, after all. And the book characters had to face a real risk of disappearing, but not actually disappear.

I started and stopped several times. But when I finally hammered out something that worked, something that provided plenty of conflict while maintaining the proper tone and humor, the writing came easy.

The play was published by Pioneer Drama in September 2020, in the midst of the pandemic. And yet it did very well that year and has continued to shine ever since.

So what's the thing with the meow? Well, as reported in The Quincy Valley Post-Register, the recent production of the play by Masquer's Theater in Soap Lake, Washington was a big hit with audiences. So much so that one of the younger members of the audience got personally involved.

"We have an actor playing a cat," director Marla Allsop explains, referring to the bookshop's resident feline Bombalurina. "And during our show we had a kid who would start meowing every time the cat came on. It was really adorable."

To Allsop, that demonstrates the broad appeal of the play. "It's a show that everybody can get into and understand."

I may never wrote another Christmas play, but I'm glad I wrote this one, and I'm so grateful that it seems to have meant so much to so many people.

Okie Bookshop in the spotlight

Local TV stations don't give enough exposure to children's theater. Can we all agree on that?

I'm being (mostly) facetious here. Of course, local TV rarely covers children's theater. But then it doesn't give much coverage to any theater productions.

So it was a breath of fresh air to see KTUL out of Tulsa shine a spotlight on none other than Spotlight Children's Theatre and their production of The Enchanted Bookshop.

For the interview, they brought on three actors--one adult and two very charming kids--and asked them about their experiences with their show. It's a fun interview and well worth the four minutes it takes to watch it. To check it out, just click here.

Interesting side note: My daughter Ashley's first job out of college was with another TV station in Tulsa and my wife and I fell in love with this gem of a city when we visited her. Very clean and modern, with a ton of underused freeways (no traffic jams here!) and a wealth of excellent restaurants and cultural attractions (not the least being The Center of the Universe).

I had known about Spotlight Theatre's claim to fame as being the home of The Drunkard, the longest running production in American theater history (59 years and running) and I always meant to see it, but somehow I never quite made it. Now I doubly regret that.

My daughter has since moved to Tucson, another wonderful city. But Spotlight is performing two more of my plays next year, How I Met Your Mummy in October and An Enchanted Bookshop Christmas in December.

Might be time to go back...

you can bet that if I ever make it back there (perhaps for their amazing Oktoberfest), Spotlight Theatre is the first stop I'll make.

No strings attached

 Leave it to the Footlighters Theatre Society of Creston, BC. They always put their own twist on the plays they produce.

Last June, when they performed my restaurant farce Million Dollar Meatballs, they set it in the 1970's and gave it a disco theme, complete with tacky leisure suits and tie-dye T-shirts.

And now, for their upcoming production of An Enchanted Bookshop Christmas, they're having the sassy bookshop cat Bombalurina played, not by a young actress in cat ears, but by an oversized puppet specially designed and built for the show.

According to this article in the Creston Valley Advance, Becca Musso is the creator of the puppet and Kailynn Gill is the performer who'll bring her to life.

Why An Enchanted Bookshop Christmas? Director Brian Lawrence explains that after producing an adult farce last year, they decided to do something more heartwarming this year.

"For many families, it has been quite a long time since they've been able to go out and enjoy a show together," says Lawrence. "This is definitely one to enjoy together--the storybook characters are a blast, and the Bombalurina puppet alone is worth the price of admission."

Yep. That cat definitely has resting sass face.

Madhouse! is now available!

Pioneer Drama Service has just released my 20th play with them, a crazy treasure hunt caper titled Madhouse! As I explained in a recent post, this play is a shorter, smaller-cast version of my 19th play, It's a Madhouse!  

Where It's a Madhouse! calls for a cast of 40, the much more succinctly titled Madhouse! requires "only" 28 actors. And while the original play is 80 minutes long, this new one is 60 minutes. But don't worry. Madhouse! keeps the craziest bits and all the best gags.

Want to learn more? Then just hop on over to the new play's web page, where you can read a free sample including the cast breakdown, production notes, and the first 11 pages of the script.

And if you really like whopping huge casts, you can find all the same information for the original play here.