Mall Madness comes to life

In the 1980's, the mall was the one place where
all the cool (and not-so-cool) kids hung out.

Long-time followers of this blog know that I like to post the first production photos I find for each new play of mine. I do this for a couple of reasons. 

One is to promote the play. My hope is that these photos will help you theater directors and drama teachers out there to get a sense of the play: what it's about, the tone, how difficult it might be to produce.

The other is to provide a little inspiration. If you do decide to produce the play, the sets and costumes in these photos might give you some ideas for your own production. At the very least, they'll get you thinking.

 

"Oh, for heaven's sakes! Popcorn again!
Why can't it ever be something easy
like a doughnut or a quesadilla?"

Today I'm sharing photos from my 1980's high school comedy, Mall Madness. This is not actually my newest play. That honor belongs to A Fine-Feathered Murder, which was released in November. But since Mall Madness came out in August, most schools were unable to squeeze into their fall semester so the first productions are only just happening now.

The good news is that I found two schools which posted photos of their shows on Facebook. These schools took very different directions in their designs, but they did a such great job of capturing the playful, fun-loving mood of that decade that I decided to share photos from both.

 

"I'm sorry, ma'am, but I'm not authorized
to give you a second sample."

The first four photos come from Oak View Middle School in Andover, MN. I love the whole look of their set, from the jazzy, colorful Food Court sign to the chunky, cafeteria-style tables specially built for the show.

All in all, they kept it pretty simple. But still, looking at the set, you can tell exactly which decade the play is set in.

"Now, Blanche. You know we can't be stopping
every five minutes just so you can grab a snack."

The costumes were also a lot of fun. The custodian, Mr. Henry, appears appropriately authoritative in his orange safety vest, while Darla, with her bright red apron and rooster-inspired baseball cap, looks like she just stepped out of a cheesy 1980's fast food restaurant. And in the play, she did, a place called Rooster Ray's, which offered free samples of a brand new food item called "chicken chunks".

I especially loved the neon-colored tracksuits of Blanche and Evelyn, the middle-aged mall walkers. No danger here! You'd be able to them coming from a mile away.

The students, on the other hands, wore more timeless styles. From the nerds to the jocks to the mean-girl Glams, the clothes were largely indistinguishable, perhaps emphasizing the point that, underneath it all, these kids really aren't that different from each other.

"Are you crazy? What makes you
think she'd go with you?"

The last four photos come from Holy Cross School in South Bend, IN. Their set is much bigger, dominated a mostly gray backdrop that extends the entire width of the stage.

Here, the signs like Glendale Mall and Rooster Ray's are just paper cut-outs attached to that backdrop, but the set folks added a lot of additional details, like those geometric accents and an elaborately painted pillar that you can catch one small glimpse of along the right side of the bottom photo.

They also managed to snag some rickety, formica-topped tables for the students to eat at (perhaps borrowed from the school's own cafeteria?). And those molded plastic chairs look uncomfortable enough to belong in any 1980's food court.

"Elwood was right! You really are a jerk!"

As for the costumes, well, they went all out. Elwood and Fletcher, the two Dungeons-and-Dragons-loving nerds at the heart of the story, are outfitted in embarrassingly dorky clothes, while their friend (and potential love interest?) Stevie wore an only slightly less embarrassing sweater and skirt combination with knee socks.

The jocks, three football players exhibiting various degrees of obnoxiousness, wore real high school letter jackets. The Glams, meanwhile, were a plentitude of pink. In fact, these uber-popular girls loved the color so much that they insisted on bringing their own satiny pink tablecloth to the food court!

"Sorry, Amber, but you're forgetting Rule
Number One Hundred Twenty-Eight.
Don't share food with another Glam."

But my favorite touch had to be how they turned Elwood's uncle Wayne into a John Cusack-lookalike for the final scene of the play, in which this lovelorn shoe salesman tries to win back his ex by holding a boombox above his head.

No, it never made sense to me either.

"Oh, I know I've been a fool. I know I've
focused too much on the latest trends in
casual footwear and not enough on you."

If nothing else, these photos prove once again that there are an infinite number of ways to design any scene. All you need is a little creativity and a willingness to think outside the box.

Do you have photos from this or another show of mine that you'd like to share? If so, please email me at todd.wallinger@gmail.com. Thank you!

Belmont Diary: My airport play premieres

"Believe me, there's nothing up there I can't handle."

After four months of writing, one month of editing, one month of waiting for rehearsals to start, and six months of the rehearsals themselves, my 40-character airport comedy Thirty Minutes Till Boarding finally got its world premiere last night at Belmont Day School in Belmont, MA.

"Just some young fly-boy, I reckon. Probably greener than a cornstalk in July."

Afterwards, director Chris Parsons told me that the show was "fantastic", the humor being a particular strength.

"What do you think I'm doing here? I'm bringing you the shoes you left behind!"

The biggest challenge? Managing such a huge cast! But Chris said the kids loved the experience and that the play was well-received. A big part of that, I think, is that the play has numerous interweaving storylines to keep the audience engaged.

"I don't have a fear of flying. I have a fear of crashing."

The characters come to the airport frazzled stressed out, and they only become more so as the flight gets delayed... and delayed... and then cancelled due to snow. But by the end of the play, all of the characters have made a connection--human as well as airline--and they leave in a much better place.

"Well, I just hope nobody recognizes me here."

Chris and his team went all out with the set, as you can see from the photos here. The entire story takes place at a single departure gate at Boston's Logan Airport so the set requirements are few. The script only calls for a gate counter, a gate sign, and a couple rows of seats. That dramatic backdrop of a jetliner taking off is definitely not needed but very, very cool.

"Sorry, Benjy. I didn't think we'd be waiting at the airport this long."

The costumes are also a joy to behold, especially those pilot and flight attendant uniforms. They really look authentic. As for the rest of the characters, I think it's awesome that I can pretty much tell who's who just from how they're dressed.

"The flight has been cancelled."

I just need to make one final pass through the script based on the feedback the Chris gave me. Then I'll be sending it off to Pioneer Drama Service. If it's anything like my other two huge cast plays, It's a Madhouse! and Bringing Down the House, it should become an equally huge hit.

"Zzzzzzz..."

Route 66 comes to Route 66

Of all my plays, It Happened on Route 66 has the strongest sense of place. One of my goals in writing this 1950's comedy was to capture the ambience of the hundreds of small towns along the Mother Road, and of one very small town in particular--the unforgettable Winona, Arizona, where the play is set.

I wanted theatergoers to feel the dust in the air of that high desert town. I wanted them to hear the roar of the cars rushing just outside the diner. But most of all, I wanted to capture the hope that Route 66 held for so many people as they headed west toward what they believed was the Promised Land.

Which is why, once the play was published, I was excited to see where it would be produced. Would it be embraced by the bustling cities and those quaint small towns along its length? Would it find a home in theaters much further away? Would it get produced internationally at all?

I was pleasantly surprised. The play was a huge hit from day one, garnering 57 productions its first full year of publication. Nine of those productions were in Canada, one was in Australia, and one was in New Zealand. The rest of the productions were scattered all over the United States, from Vermont to California and Florida to Oregon (no Maine or Washington yet). But none of those productions were in a city or town along the Mother Road itself.

Until now. Ghost Light Youth Theatre, a branch of River Cities Community Theatre in Bullhead City, AZ, is performing the show tonight and tomorrow.

I've never been to Bullhead City--it's four hours away from my home in suburban Phoenix--but it always pops up on our statewide weather forecasts and I've always been fascinated by the name.

Turns out its history is just as fascinating.

The town of 43,000 is located on the Colorado River, directly across from the famous gambling town of Laughlin, Nevada. It was first known as Hardyville, being founded in 1864 as a steamboat landing for the gold, silver, and copper mines in the area.

After silver prices declined in the 1890's, it became a bona fide ghost town, only to be resurrected with its current name in 1942 when it became the base for construction of Davis Dam. Ironically, the highway predated the rebirth of the town as the Arizona section of Route 66 was completed in 1926. 

Yes, you can still drive (or get down on your hands and knees and kiss, if that's your thing) the original asphalt of Route 66 through Bullhead City. In fact, the best-preserved section of the entire highway is the 73-mile long section from Kingman to Seligman just east of Bullhead City.

And where did that crazy name come from? From Bullshead Rock, a prominent rock formation that was almost entirely submerged by the lake formed by the dam (take that, rock!).

Unfortunately, I can't find any history on the theater company itself, but judging from its Facebook account, it appears to be a healthy, vibrant group that has already been around for quite a few years. 

My ultimate dream for this play, of course, would be to have it performed in Winona. But seeing as Winona is an unincorporated village without a school let alone a theater company, that seems highly unlikely.

So what do you say, Flagstaff? You're the nearest city to the setting of the play. How would you like to be the next Route 66 town to produce it?

Palmetto State Bookshop makes magic

Every production of The Enchanted Bookshop is magical. But some have an extra touch of magic.

That's the case with Clemson Area Youth Theatre's production, as reported today in this article from Upstate Today. According to first-time director Heather Edwards, part of that magic comes from the story itself.

"I just love how magical it is and how it brings back a lot of childhood memories with reading a lot of the old classics, like Wizard of Oz, Tom Sawyer," she says. "I just thought that would be such an amazing show." 

But a lot of the magic comes from the kids themselves. And with 23 in the cast, as well as several in the crew, there are plenty of them involved in the production. "The show is pretty much run by the kids."

"The most fun part is just seeing the kids light up and becoming their characters," Edwards adds. "Even though we've done it many, many times, it's always something new, and something new brought to the characters, and it's just such a wonderful experience to go through with them."

The show runs March 13-15 and 20-22 at Clemson Little Theatre in Pendleton. If you'd like to add a magic to your life, you won't want to miss it.