Just in time for the new school year, Pioneer Drama Service has released my 24th play, How to Enchant a Bookshop. Set in the same world as The Enchanted Bookshop and An Enchanted Bookshop Christmas (not to mention The Enchanted Bookshop Musical), it tells the story of how Margie's beloved bookshop became enchanted in the first place.
At 45 minutes, it's the shortest play of the three, making it perfect for classroom use, an evening of one-acts, or pairing with one of the other Enchanted Bookshop plays for a full evening of entertainment. It also requires a smaller cast (6M, 8F, 4 either) and is even easier to produce than those other plays (no need to destroy books here!).
Brain drizzling
I had a ton of fun writing this play. But coming up with the title was a real bear. In just a few words, I had to communicate to potential customers that:
1) The play is a part of the Enchanted Bookshop universe.
2) It represents the origin story of that universe.
3) It stands alone, with no need to have seen the other two plays.
I brainstormed for weeks, but I kept coming up with the same few problematic titles. Here are some of them and the reasons why I rejected them.
Enchanting the Bookshop--Too close to the original.
The Enchanted Bookshop Begins--Sounds like you need to see the original.
The Fairy Who Enchanted a Bookshop--Wrong focus.
An Enchanted Grand Opening--No connection to the bookshop.
An Enchanted Bookshop Grand Opening--Too clunky.
An Enchanted Bookshop Opening--Too close to the original.
The Bookshop that Became Enchanted--Too clunky.
How Bookshops Become Enchanted--Too general.
Please Don't Enchant the Bookshop!--Sounds like some weird anti-play.
Something old, something new
One of my goals with the Enchanted Bookshop plays was to keep a core of returning characters for continuity. So this play again includes audience favorites Dorothy Gale, Tom Sawyer, and Pollyanna, not to mention the beating heart of the bookshop, Margie herself (or would that be Bombalurina?).
But I also wanted to introduce a few new characters in each play in order to keep things fresh. For this play, that includes Cinderella, my all-time favorite fictional character Don Quixote, and the ravenous rodents from Beatrix Potter's The Tale of Two Bad Mice.
I'm surprised it took me this long to include characters from Potter's oeuvre. I never read her books as a young'un--I was more of a Dr. Seuss kid--but I discovered them when my daughters were young and quickly fell in love with them, particularly the muted beauty of the watercolors and the understated humor of the text.
As anyone who follow this blog knows, I often struggle with my writing, but those two mice were a piece of cake to write for (no pun intended)--and so much fun! Their elevated language flowed out of my fingers and I always knew what to have them talk about: food! I'm sure audiences will eat them up (pun fully intended).
An auspicious start
Will How to Enchant a Bookshop be as successful as the other plays? I sure hope so. It has certainly charged out of the starting gate, booking its first production the same day it was released (it normally takes two to three weeks for a new play to accomplish that).
Want to check it out yourself? Just head over to the play's web page where you can read a sample or order your own perusal copy.
Or take a leap and book the second production. You'll make two little mice very happy.
No comments:
Post a Comment