Saturday, May 13, 2017
My 6th year sales
The last twelve months have been a busy year for me, a crazy year, a wildly productive year. As mentioned previously, I was laid off from my day job in April. Although it was completely unexpected and a little bit scary, being out of work turned out to be a gift and I put that time to good use, cranking out seven full-length plays in the ten months I was unemployed.
I'm now starting to reap the rewards. I received my annual royalty check from Pioneer yesterday and the numbers are looking pretty good.
My total number of productions hit a new record with 228, a 52% increase over the 150 I had last year. There was a bit of a boost from the two new plays that were released last year, but most of that increase came from the three plays that were released the previous year and now had a full year of production under their belts. I also saw one older play come roaring back to life.
My #1 play for the year was You're Driving Me Crazy!, with 61 productions. This driver's ed comedy continues to do well at one-act competitions throughout the United States and Canada. I was especially gratified in April when I saw that it got bought by the Manitoba Text Book Bureau. I don't know what this means yet, but the agency provides text books for all of the public schools in Manitoba so I'm hoping the play will start popping up at a lot more schools in our neighbor to the north.
Rumpelstiltskin, Private Eye was #2 with 40 productions. That was a big drop from the 63 productions it got the previous year, its first full year of publication. But that sophomore drop is pretty common for large-cast school plays as a lot of elementary schools and summer camps prefer brand new plays. Still, 40 shows is nothing to sneeze at (though one of the dwarfs might be tempted to).
This was the first full year for Million Dollar Meatballs, which came in at #3 with 34 productions. This play seems to appeal to everyone, with productions being done by elementary schools, middle schools, high schools, colleges and community theatre groups. All it needs now is a nursing home production and it'll have run the gamut!
The Butler Did It! was a close fourth with 33 productions. This one really surprised me because it only got 14 productions the previous year. It appears that this, my first full-length play, has legs.
How I Met Your Mummy was #5 with 30 productions. When it first came out, I thought it would mostly get done around Halloween, but it's actually been popular throughout the year.
Long Tall Lester had 14 productions, a nice pop from the 9 productions it had last year.
The _urloined Letter was #7 with 7 productions, compared to 6 the previous year.
Trouble in Paradise Junction came out in December, but still managed to squeeze in 6 productions before the end of April. I have big hopes for this heartwarming small-town comedy as it has already booked 9 more productions in the coming year.
The Stinky Feet Gang came out in January and had a bit of slow start, with just 3 productions. Part of this may be due to the fact that the catalog lists it as 10M/8F, but it's actually one of my most female-heavy plays as the seven biggest parts are all female and many of the male roles can go either way. One good thing is that it's gotten interest from schools that are looking for gun-free westerns.
I've got two more plays slated to be released this fall, Wicked Is As Wicked Does and The Enchanted Bookshop. I can't wait to see how these large-cast comedies fare.