Friday, February 20, 2026

On writing and Alysa Liu

They say you should never stop learning. I agree wholeheartedly, especially when it comes to writing. But I never imagined that at the age of 62, I'd get my most important writing lesson from a 21-year-old figure skater.

The skater? None other than the newest Olympic gold medalist in women's figure skating, Alysa Liu. 

If you watched any of the women's figure skating this year, then Alysa's story should already already familiar to you. Originally from Oakland, California, Alysa became the youngest U.S. champion ever in 2919 at the age of 13. She placed 6th at the Beijing Olympics in 2022 and won bronze at the world championship that same year.

But she quickly burned out. Skating just wasn't fun anymore. And so, at the age of 16, she quit.

The break did her good. She went skiing. She traveled. She spent time with friends. She did all the things she hadn't had time for when skating was her entire life.

Two years later, she was ready to return to the ice. Only this time, she did it on her terms. She chose her own music. She chose her own costumes. She developed her own choreography. But more importantly, she was more relaxed about it all, following a training routine that was more collaborative with her coaches and placed her mental health first.

When she took to the ice in Milan, the difference was obvious. Technically, she was as sharp as she could be, making no mistakes during either her short or long program. She skated with ease, gliding across the ice like she was born to it. But most importantly, she skated with joy. For her entire performance, she could not stop smiling.

Even after she was done skating and was waiting to see how her two final competitors fared, she kept smiling. It didn't matter to her if she won gold. It didn't matter to her if she placed at all. She had done what she came to the Olympics to do. And that was to have fun.

She won the gold, of course. Not by training harder than anyone else. Not by wanting it more. She won it because she loved what she was doing.

I often forget that when I'm writing. I get so wrapped up in making sure the words flow, the characterizations are consistent, and the story logic make sense, that I lose sight of why I started writing in the first place. To have fun.

So I've vowed that, going forward, I'm going to follow Alysa's example. I'm going to focus on my love of writing and not so much on the hard stuff. I hope it'll make my writing better. I know it'll make it more fun.

And no, there may not be any gold medals in playwriting. But there is something more important.

Joy.

Monday, February 9, 2026

Survival Island! to be published


Just two months into the new year and I've already got two new plays accepted for publication, both with Heuer Publishing.

I already told you about my first ten-minute play, Fear of Clowns, which was accepted last month. Well, today I got the news that the company will also be publishing my reality show satire, Survival Island!

I'm very happy about this. Heuer has been getting a healthy number of productions for The Last Radio Show and I'm confident they'll do equally well with this comedy about a team of reality show contestants who must learn to survive for real when the show's host and crew meet an untimely (but comical) end.

The play has a cast of 10 (1M, 1F, 8 and), uses a single beach set, and runs about 75 minutes.

I've talked before about the inspiration for the play (think Gilligan's Island meets Lord of the Flies). I've also posted several photos from the world premiere at Jacksonville (NC) Performing Arts in November. So at that's left for me to do is to share one of my favorite scenes.

This is the scene in which the contestants learn of the demise of the crew. We meet six of the eight contestants here, each of which is an over-the-top version of the types of contestants you see on shows like Survivor! and The Amazing Race.

KEANU:  (ENTERS LEFT wearing CHASE's safari hat.) Whoa! You dudes are missing it! The view from the top of the volcano is totally tubular!

EDITH:  Sorry, Keanu, but we have bigger problems to worry about.

SHANNON:  Like what are we going to eat?

ANDREA:  And how can we build a shelter?

BUFFY:  (To KEANU.) And where did you get that hat?

KEANU:  What? This hat?

BUFFY:  Yeah. It looks just like Chase's hat.

KEANU:  Gnarly, right? I found it at the top of the volcano.

ANDREA:  Wait a minute. You found Chase's hat at the top of the volcano? 

KEANU:  Yeah. So?

ANDREA:  So did you find Chase?

KEANU:  No. Why would I find Chase?

ANDREA:  Because he should have been under the hat!

KEANU:  Oh, right, right. (Thinks.) No. I didn't see Chase anywhere, but I did see, like, a profusitude of footprints.

EDITH:  Really? Where?

KEANU:  Oh, man. They were all around the edge of the volcano. And here's the weird part. They were all pointed in the same direction.

EDITH:  And which direction would that be?

KEANU:  Toward that ginormous hole. You know. The big orange one.

ANDREA:  (Panicking.) The ginormous hole? Keanu, are you telling us Chase and his entire crew feel into the volcano. 

KEANU:  Huh? Oh, whoa! I guess I am!

SHANNON:  Oh, no! That's awful!

BUFFY:  Did you happen to see Chase's backpack, Keanu?

KEANU:  Backpack?

BUFFY:  Yes. You know. Canvas bag. Shoulder straps. Usually some kind of designer label.

KEANU:  Nah, dudes. I didn't see anything like that.

OTHERS:  Auggghhhh!

BUFFY:  I can't believe they're gone!

EDITH:  I know! Such a tragic loos of human life!

BUFFY:  I was talking about our cell phones!

MICHAEL:  How are going to contact the base camp?

SHANNON:  How are we going to contact our friends and families?

BUFFY:  How are we going to contact our agents and business managers?

SHANNON:  I knew it. We're all going to die. We're going to die a slow, agonizing death from dehydration. And starvation. And that horrible volcan erupting all over us!

I expect the play will be released. In the meantime, if you'd like to read the whole script, email me at todd.wallinger@gmail.com and I'll send you a free perusal copy. Or read the synopsis and cast list on the New Play Exchange.

Friday, February 6, 2026

Belmont diary: My airport play gets a poster


Just wanted to pop in here to show off the really cool poster for my airport comedy, Thirty Minutes Till Boarding. As I've explained before, the play was commissioned by Belmont Day School in Belmont, MA. They started rehearsals in January and director Christopher Parsons told me today that the scenes are really shaping up for the world premiere in March.

To be honest, I haven't thought much about the play since I emailed Chris the script back in August. I've been too busy with the other stuff I've been working on. So it's nice to get this reminder that, yeah, this monster of a play will soon be brought to life.

I won't be able to attend the show, but I'm looking forward to watching the recording they'll send me. I know the students are going to do a bang-up job. Just look at this logo they came up with for the fictional airline in the play: