The man who was our greatest living playwright died today. Sir Peter Shaffer passed away peacefully at a hospice on County Cork, Ireland.
I had the great good fortune of meeting Sir Peter in 2007 when he came to Colorado Springs for the new-defunct Colorado Festival of World Theatre. The festival was featuring his rarely performed one-act farce Black Comedy and, as part of the festivities, he agreed to give a brief talk for a small group of devoted theatregoers.
The talk was, as expected, smart, funny, and insightful, and afterwards, I gathered my courage to say hello. He was unfailingly gracious, speaking to me for several glorious, uninterrupted minutes until his handler whisked him away. I wish I remembered everything we talked about, but what stood out to me most was that, even at the age of 81, he was still very much plugged into the world of contemporary theatre. When I asked him which emerging playwrights he was most excited about, he rattled off four or five names with barely a pause.
Sir Peter was a brilliant writer, one who excelled in both comedy and drama. Equus may be the greatest psychological drama in the English language, and Amadeus (for which he won the Academy Award) is one of the greatest films ever made.
Less well known is the aforementioned Black Comedy. I don't know if it's the funniest play ever written, but it's the funniest play I've ever seen (take that, Noises Off). In fact, it's the play that has most influenced me in my own writing. Black Comedy was the first true farce I'd ever seen and the intense, almost balletic, physicality of the piece is what opened my eyes to the possibilities of physical humor in the theatre.
Thank you, Peter. You lived on this earth for 90 years, but your works will live forever.
Less well known is the aforementioned Black Comedy. I don't know if it's the funniest play ever written, but it's the funniest play I've ever seen (take that, Noises Off). In fact, it's the play that has most influenced me in my own writing. Black Comedy was the first true farce I'd ever seen and the intense, almost balletic, physicality of the piece is what opened my eyes to the possibilities of physical humor in the theatre.
Thank you, Peter. You lived on this earth for 90 years, but your works will live forever.
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