My seventh play--and third new play of the year--has just been published. How I Met Your Mummy is a classic farce that runs 85 minutes and has a cast of 11 (5M/6F). Here's the blurb:
In this hysterically witty, spine-tingling farce, the O. Howe Dulle Museum is about to unveil their latest find -- a mysterious mummy named Yo-Wut-Sup. There's nothing dull about this museum considering everyone wants to get their hands on this ancient man! A pushy reporter vows to prove Yo-Wut-Sup is a hoax. A wacky mystic intends to sneak him back to Egypt. Three high school students want to use him in their low-budget horror film. And two clueless robbers plan to steal the mummy, if only they can figure out what one looks like. Can Melvin Trimble, the world's most cowardly security guard, stop all of them considering it's his first night on the job? Or will he be left taking the "wrap"? And why are there, not one, not two, but three creepy mummies roaming the halls? Now museum, now you don't!As I come across photos from productions of my plays, one thing has struck me again and again. Many schools and community theatres are performing the plays on a shoestring, with very little room for an elaborate set. In fact, many of the productions have no set at all. Instead, they're mounted in an empty corner of a classroom or school basement.
I think that's great. Theatre is a wonderful thing, and space or budget limitations shouldn't prevent students and small town audiences from reaping the benefits of it. But that does pose a significant challenge for me in my own writing. How can I make my plays simple to produce while maintaining a professional level of storytelling?
For this play, the answer was simple. I did away with the set. All you need is two exits, a sarcophagus, a table and a chair.
The costumes are fairly detailed, and there several props and sound cues that need to be provided. But overall, it's one of my easiest plays to produce.
For ordering info and a sample from the script, please visit the play's webpage.