Monday, December 11, 2017

The Enchanted Bookshop in living color

I've said it before, but I love seeing photos of my productions, especially when they're my first glimpse of a new play. The Enchanted Bookshop came out in August and it's already been produced twenty-some times, but it wasn't until the Fort Worth Academy of Fort Worth, TX posted pictures of their show that I got to see what it looks like on a real-live stage.

The school did a fantastic job with the set. And the costumes are simple yet detailed enough to let the audience instantly know who's who.

I was especially gratified to read by a comment by one of the audience members, who said she enjoyed the show but felt a visceral reaction when the bad guys tore pages out of the books.

That was exactly my feeling when I wrote the scene.

Saturday, November 25, 2017

Lone Star crazy wins awards

Congratulations to Littlefield Junior High School of Littlefield, TX for their award-winning performance of You're Driving Me Crazy! As reported in the Lamb County Leader-News, the cast and crew placed second at their district one-act play contest. What's more, actors Lindsay Coffman and Sam Hill received All-Star cast, while Kara Newton, Landon Spoon and Dylan Redman received Honorable Mention.

Nice job, everyone!

Friday, October 13, 2017

The Purrfect Crime to be published

I just mailed back the contract for my twelfth play to be accepted by Pioneer Drama Service, The Purrfect Crime. And I couldn't be more thrilled. Loyal followers of this blog will remember this play as the one I developed with Palmer Ridge High School in Monument,
CO. Which means that the talented cast and crew who gave the play its world premiere production will soon see their names in the published script.

The Purrfect Crime is about a cat that inherits 42 million dollars after the death of the cantankerous Texas rancher who owned her. The rancher's spoiled children are appalled, and the oldest--a hard-driving businesswoman named Cecilia--immediately plots ways to get the fortune for herself.

I think the play will do well. Although it's not a farce in the strictest sense, there's a lot of physical humor and farcical elements in the plot. In fact, one showstopping scene features a pair of stupid criminals who pose as pet psychics, a case of mistaken identity that would feel at home in any classic farce.

It's also my most female-heavy play. Of the ten speaking parts, seven are female, including the two leads. 

And it should be fairly easy to produce. There are no special technical requirements and, except for a couple of scenes that are played in front of the curtain,  the entire play takes place in the living room of a Texas ranch house.

The play comes out in January. Until then, let me leave you with an excerpt from the fateful scene where the will is read:

JANICE: (Reads.) "The last will and testament of Robert 'Big Bob' Little."

ANNIE: Can you hurry up?

JANICE: I just started.

ANNIE: I know, but I was hoping you could skip to the part where I get everything.

JANICE: Please. Be. Quiet. (Clears her throat.) "As we grow older, we come to realize that money really doesn't matter—"

CECILIA: I'm not that old yet!

ANNIE: I hope I never get that old!

JANICE: "What matters is the love and devotion of those closest to us. Therefore, I leave everything I own to the one member of this family who has shown me nothing but unswerving devotion and love..."

CECILIA: Here it comes!

ANNIE: I can taste those millions now!

JANICE: Wiggles.

CECILIA: What did you say?

JANICE: I said Wiggles. Wiggles gets everything.

CECILIA: Who's Wiggles?

ANNIE: I think it's the cat.

DIGBY: Oh, it's most definitely the cat.

CECILIA: Uh huh. And when it says "everything," what exactly does that mean?

JANICE: It means everything.

CECILIA: You mean like the cat bed?

JANICE: No. Everything.

ANNIE: Oh, the cat food!

JANICE: No. It means everything!

LITTLE BOB: Wow! Even the cat toys?

JANICE: Let me see. How can I put this? Wiggles gets everything. The house. The land. The 36 million dollars in the bank. It all goes to Wiggles.

ANNIE: That's not fair! Wiggles is just a stupid animal!

JANICE: How can you call her stupid? I thought you loved animals.

ANNIE: I do. As a concept. It's real animals I can't stand.

Wednesday, October 11, 2017

Beverly Hills mutt

Today I got a call from Candace Coster, also known as Candace Hilligoss, star of the 1962 cult horror film Carnival of Souls. No, we didn't talk about old horror films (though I would have loved to!). Candace called to tell me that my full-length comedy The Bow Wow Detectives won the Beverly Hills Theatre Guild Play Competition for Youth Theatre, also known as the Marilyn Hall Award, for which Candace serves as organizer.

It's the third time I've won in the last four years. Rumpelstiltskin, Private Eye won in 2014 and How I Met Your Mummy won in 2015. Last year,  The Last Radio Show got an Honorable Mention, and the judges said it probably should have been entered in the adult category.

I feel extremely honored. And I have to chuckle, because the win demonstrates, more than anything else, the subjectivity of humor.

The Bow Wow Detectives didn't win a thing in four other contests I entered it in, and it's been rejected by two publishers, including my regular publisher, Pioneer Drama Service. But the kind folks who judge the Beverly Hills contest thought it was hilarious.

The award doesn't include a production, but it does come with $1200 cash, one of the biggest youth theatre prizes out there. And I'm looking forward to attending the awards luncheon at the Beverly Hills Four Seasons Hotel in March. I wasn't able to make it the first two times, but now that I live a mere six hours away, it's much easier for me to get there.

The most important benefit of the award, however, is the breath of life it's provided. I 'd almost given up on the script, but now with this vote of confidence, I'll be brushing it off and sending it out to other publishers soon.

By the way, I'm still looking for some school or community theater to give the play its world premiere. If you'd like to me to email you a no-cost, no-obligation script, email me by clicking here.

Wednesday, October 4, 2017

Catskills mummy wins awards

A big shout-out to the Sullivan County Dramatic Workshop of South Fallsburg, NY and to the talented individuals who took home TANYS (Theatre Association of New York State) Awards for their recent production of How I Met Your Mummy.

Kristopher Rosengrant received a Meritorious Achievement in Acting for his performance as that knee-knocking, lily-livered security guard Melvin (see above).

Harold Tighe and Jim Schmidt received a Meritorious Achievement in Set Design and Construction  for their colorful, artistic take on the O. Howe Dulle Museum.

And Dawn Perneszi and Jenny Silverman received a Meritorious Achievement in Costume Design and Construction for their simple yet pitch-perfect costumes.

Congratulations, everyone!

Thursday, September 28, 2017

Set ideas for How I Met Your Mummy

A while ago, I posted photos from Rumpelstiltskin, Private Eye showing some of the costumes that were designed for the two main characters. My thought was that other performing groups would get ideas from those designs--or be inspired to go off in their own direction.

Well, that post was so popular I decided to do it again, only this time I wanted to focus on set ideas. And what better play to use than my museum play, How I Met Your Mummy,

When I wrote the play, I purposely kept the set requirements to a minimum. There are no doors or windows and only two entrances, making it perfect for schools and community theaters with limited space. Here's how the script describes it:
The exhibit consists of a single room dominated by a sarcophagus lying horizontally on a platform CENTER. A work table is STAGE RIGHT with a yardstick, rope, and other miscellaneous tools as well as a folding chair just LEFT of it. There are two exits, one STAGE LEFT and one STAGE RIGHT. These lead to other exhibit rooms and should be open archways. The STAGE LEFT exit also leads to the restrooms.
It's what you do with that space that counts. Some groups went all out, constructing pillars, statues and an elaborate sarcophagus covered with hieroglyphics and Egyptian-style art. Others kept things simple, using just a hand-painted paper backdrop and a plan wooden box to set the scene.

Well, I think it's all great! No matter what size budget you have or how experienced your crew is, I'm sure you can find inspiration in these awesome sets:

Friday, September 15, 2017

Free monologues and scenes now available

Have you ever scoured the internet looking for scenes or monologues only to be put off by complicated licensing arrangements or inappropriate subject matter? Do you wish you could find a dependable source of clean, funny material? Well, I'd like to help.

I've posted a collection of my favorite scenes from my plays--some before they're available in publication. And all are free for educational use.

Whether you need a monologue for an audition or a two- or three- (or nine!) person scene for theatre class, I've got a wide selection to choose from.

Just bop over to my Free Monologues or Free Scenes tabs to see what's available. Each scene can be downloaded, printed, emailed or shared as much and as many times as you want.

Why am I doing this? Well, the obvious answer is that I'm hoping to get greater exposure for my work. But more importantly,  I owe my career to school drama programs and the dedicated teachers that run them and I'd like to give something back.

So check out the scripts. I hope you find something you'll like.